By Luke Clark | Co-Director
Thank you to everyone for helping to make our project a reality. We really are grateful.
Bryce and I will be meeting in Florida in May to discuss Progeny's fundraising strategy and to highlilght other possible avenues in which to secure the funds needed to take our project to the next level. This will provide a good time to process and evaluate the project and to consilidate information collected throughout the project's lifetime.
It is our aim to take Progeny to another US State in 2015. We believe our unique Sound Installation is an inspiring space for public interaction and artistic collaboration. Through our education programs, it is our goal to spark dialogue around the themes of our project; the community and our environment.
Progeny is still in storage awaiting its next journey.
So far we have fundraised an additional $2500 towards this goal through the Global Giving Platform. We are both grateful for the support all donors have given to our project which enabled us to produce the work and to undertake the first exhibition and program of education and events.
Our aim is to secure $7500 more before we can commit to the next venue which will take place either in Atlanta or New York.
If you are able to contribute towards the project or to let others know about our work we would be very grateful. Thank you for your continued support.
We wish you our very best,
Luke and Bryce
The Progeny Project
Progeny is an indoor interactive architectural sound installation modeled after a Langstroth beehive. The artists/curators have figuratively become beekeepers, transporting the structure measuring 24 x 24 x 9 ft on a flatbed truck. Through public engagement, performance and collaboration an opportunity is presented to evolve, learn, adapt and interact.
Our project is the result of three years of research and partnership, working in concert with the agricultural community, structural engineers and sound experts.
Progeny is designed whereby every unit is constructed using 4’ x 8’ frames, including walls and flooring. Ten independent walls create nine narrow corridors 24 ft in length. The narrow width of each corridor compels close public interaction. The space above the walls is designed without a joining ceiling. 32 contact microphones under the flooring of the structure pick up the vibrations of people’s footsteps. These, alongside 16 microphones within the walls, transmit sound to 36 speakers throughout the installation.
Emulating the systematic migratory procession beekeepers undertake carrying up to 400 hives on flatbed trucks to temporary locations, this travelling time-based work explores the point at which an artwork is ready for the viewer. Progeny’s journey from one location to another is as much part of the work as when it is assembled for public exhibition. It is neither stationary in it’s physical or intellectual state, constantly evolving through travel and through the communities it interacts with. This journey is documented by film and online media and forms part of future exhibitions.
In location, Progeny becomes an instrument or a platform for public interaction and artistic collaboration providing unique opportunities for the audience to experience and engage with the work.
Links:
By Luke Clark | Project Director
By Luke Clark | Project Director
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