Music Training Therapy Blind Youth Cambodia

by Khmer Cultural Development Institute
Music Training Therapy Blind Youth  Cambodia
Music Training Therapy Blind Youth  Cambodia
Music Training Therapy Blind Youth  Cambodia
Music Training Therapy Blind Youth  Cambodia
Music Training Therapy Blind Youth  Cambodia
Music Training Therapy Blind Youth  Cambodia
Music Training Therapy Blind Youth  Cambodia
Music Training Therapy Blind Youth  Cambodia
Music Training Therapy Blind Youth  Cambodia
Music Training Therapy Blind Youth  Cambodia
Music Training Therapy Blind Youth  Cambodia
Music Training Therapy Blind Youth  Cambodia

Project Report | Dec 3, 2018
A Masterclass by the legendary Madam Em Theay

By Catherine Louise Geach | Founder

Madam Em Theay in the background teaches a student
Madam Em Theay in the background teaches a student

Last week we had the great honour to welcome to our school the legendary dance teacher Madam Loak Yeay Em Theay. Considered a "Living National Treasure" in Cambodia, Madam Em Theay came with her daughter Madam Kim An our dance teacher to give a very special masterclass.

In the earlier part of the twentieth century, Cambodian traditional culture flourished and was famous worldwide for it's grace and beauty. Passed down from master to pupil using the oral tradition, for over a thousand years it was given to each new generation. The traditional culture of Cambodia, most especially music and dance is considered sacred. The crowns of traditional dancers have wing like shapes at the sides to represent celestial beings. No music, dance or theatre piece can be performed without first paying homage to Buddha and the ancestors of the arts. No crown may be placed on a dancer's head without prayer and offerings made first. It is said that Cambodians experience music from the cradle to the grave and that they are a nation of artists.

Alas the traditional arts nearly vanished when during the Khmer Rouge genocide between 1975-1979, approximately ninety percent of Cambodian artists were killed or perished from disease or starvation. Today rampant Westernisation of Cambodia and lack of attention and funding  by the government also threatens this ancient cultural heritage.

The Khmer Rouge genocide was preceded by war from 1970 and then followed by more civil war with the Khmer Rouge fighting from their mountain strongholds until the official ceasfire around 1998/99.

Imagine therefore what effect this had on the very fabric of Cambodian society and the sense of identity as a people. It is for this reason that Madam Em Theay the last surviving dance master is so important. She is a living memory. In 1979 there were five great dance masters left alive, now she is the only one left. Madam Em Theay and Madam Kim An are from the Royal Ballet and before the war lived and danced in the Royal Palace and were taught by her Majesty Queen Kossimak. The Royal family of Cambodia were traditionally the guardians of the arts.

When the terrible years of the Khmer Rouge rule ended, survivors slowly made their way back to the capital Phnom Penh. One of the first areas to be restored was the National Ballet and University of Fine Arts. Without any salary, because there was no currency (the Khmer Rouge had destroyed all banks and money), Cambodian artists were paid in rice and painstakingly pieced together their art forms, drawing from their memories.

Both Madam Em Theay and Madam Kim An have devoted their lives to restoring their heritage, teaching children each dance step and hand movement. In Cambodian dance each hand movement, has a special meaning such as an unfurling leaf, a flower in bud, love and so on. Women and girls perform three roles, the maiden, the prince and the ogre. Men and boys perform the Hanuman Money King and his army. For each role the hand and body movements are different. It is incredibly sophisticated. In the first photograph you will see Madam Em Theay in the background correcting one of our students as she dances the male role of the prince, Madam Kim An is in the foreground giving the correct example. Girls who are taller and have longer faces are selected to dance the male (Nirung) roles, whilst girls who are shorter and have rounder faces dance the female (Neang) role. 

Madam Kim An teaches all our resident children and the children on our Outreach Program (which you all kindly support). This means many children from outside our school who come from impoverished and disadvantaged backgrounds can benefit from the highest quality training and learn about and cherish their cultural heritage. Despite her advanced age Madam Em Theay very kindly gave a  free three-day masterclass to our resident children. We treasure her gift.

We would all like to thank you for so generously helping make our training programs in traditional Cambodian Music, Dance, Yike theatre and Shadow Puppet Theatre possible. We thank you for the kind support you give enabling us to reach out to many children. We thank you for your understanding that culture and the arts is a heritage which is so precious and really can make a difference in our world, bringing sublime beauty, harmony and solace to so many. Let us keep the arts alive everywhere!

If you would like to invite your friends and family to participate in our End of Year Campaign on GlobalGiving for 2018, this campaign is now open and running and will end on December 31st at 23:59:59 Washington DC time.

Thank you all!

Paying homage to a great teacher
Paying homage to a great teacher
Students studying the female role with Madam Theay
Students studying the female role with Madam Theay
Dance exercises!
Dance exercises!

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Sep 4, 2018
A New Dance Class Has Begun

By Catherine Louise Geach | Founder

Jun 6, 2018
Developing a Khmer Network

By Catherine Louise Geach | Founder

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Organization Information

Khmer Cultural Development Institute

Location: Kampot Town, Kampot Province - Cambodia
Website:
Facebook: Facebook Page
Project Leader:
Catherine Geach
Founder
Kampot , Cambodia
$16,231 raised of $20,000 goal
 
395 donations
$3,769 to go
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