Kala Raksha

Kala Raksha aims: to preserve and present cultures of ethnic communities of Kutch (Gujarat, India) through their traditional arts; to facilitate the transformation of traditional art into contemporary products by encouraging innovation within existing traditions; to assist communities in achieving economic self-sufficiency through cooperative efforts; to assist direct sale of contemporary arts, for entire local communities. Artisan initiative and participation are the pillars of our work.
Jan 14, 2014


Best Collection winner Adil walks the ramp
Best Collection winner Adil walks the ramp


On 24 November 2013, the eighth class of Kala Raksha Vidhyalaya graduated, bringing the total number of graduates to 124. 


The Convocation is always a time to look back and see what we all have achieved in the year. This year, we also looked forward, to building the program to a true institution.

It was a busy year for KRV. 

In addition to our ongoing design education course, with the support of Anjana Somany, we coordinated a major, successful program in Mumbai- Co-Creation squared-which included a fashion show, exhibition and short film - thus taking Artisan Design to the world.

Director Judy Frater, Artisan Designers Jayantibhai Bokhani and Khimjibhai Siju were invited a think tank in Bagalkot to envision a future that will include development of weavers.  This event will now blossom into a project that will engage our graduates as professional designers.

 Judy Frater and Permanent Faculty Member Dayalalbhai Kudecha had the wonderful opportunity to represent KRV at Tinkuy, an international weavers conference in Cusco, Peru.

 Irfanbhai Anwarbhai Khatri was invited to a prestigious think tank in Goa- Think 2013.

In December Project Leader Nilanjanbhai Mondal and Irfanbhai will represent KRV at Samanta, the final meeting of the Australia- India Sangam project. 

 KRV is definitely on the world map.  We are showing the world where artisans can reach.

All over the world traditional crafts are struggling to survive, and seeking solutions for sustainability.  KRV is being recognized world wide precisely because it has been an important development, offering a successful and forward thinking solution.

 It is time to build this program to a true institution, to expand to reach more artisans and develop world-wide value for traditional arts. 

 The immediate goal is increased respect and income for artisans.  We have proved that because our artisans know craft, they can learn design. We now need to insure their success. Because these artisan designers know design, they can do business.  An artisan designer needs both design and business.  So as a first step to growing from a program to an institution, next year we will launch a new MBA course- - Management and Business for Artisans!   This will be a post-graduate course for KRV artisan designers.  Look for the Vidhyalaya re-inventing itself…..


November 22- 24 marked this year's KRV Convocation Mela. The event, generously sponsored by Adani Foundation, Bestseller Fund, and CGPL-Tata Power, began with a final jury conducted by experts in craft and design, including Radhi Parekh- founder of Artisans Gallery, Subrata Bhowmick- internationally renowned designer, Abhay Mangaldas, Founder and CEO of House of MG, and Shilpa Sharma, co-founder of the online high end design retail portal Jaypore.

The jury culminated in the fashion show we await every year, choreographed by Utsav Dholakia, Compered by Shweta Dhariwal, and styled by Sanjay Guria.  This year's fashion show was inaugurated by our Special Guest Anjana Somany, Founder and Director of Mango Tree, and producer of Kala Raksha Vidhyalaya's debut in Mumbai.

This year's graduates presented collections of contemporary styled traditions, ranging from the home furnishing to resort wear.  The collections were designed in collaboration with students from M.S. University, Baroda.

As ever, our KRV alumni made set the bar with their sophisticated Artisan Designs.  The grand finale was a sampling of the Co-Creation Squared collection that debuted in Mumbai.

The following day, Kala Raksha Vidhyalaya welcomed Jaya Jaitly, Founder of Dastkari Haat Samiti, Creator of Dilli Haat- and long time friend and supporter of Artisans of India, as our Chief Guest.  Jayaji delivered the keynote speech, encouraging artisans to work collaboratively and creatively to triumph over challenges. Jury member Radhi Parekh and KRV Advisor Shyamji Vishramji delivered speeches.  Graduates Sangitaben Pirabhai Bhati, and Soyabbhai Abdul Karim Khatri spoke about the importance of design education in their  lives, exemplifying the confidence and poise that education builds.

This year's jury awarded best collection to Zakiyaben Ayubbhai Khatri and Adilbhai Mustakbhai Khatri, both bandhani artisans.  Awards for Best Presentation, Most Marketable collection, Most Promising Artisan, and best student were also presented.

And the KRV Staff were honoured. The convocation launched the public Mela, which once again enjoyed visitors from around the world and all over India.  A number of people planned their visit to India around the KRV Mela. Artisans met and exchanged news and ideas. 

Visitors purchased all-new artisan designs.  Many graduates recovered their annual fees in a few hours-- confirming that their year of design education will launch successful careers.  Everyone enjoyed Kutchi folk music, food and hands-on demonstrations of weaving, printing, roghan painting and pottery.

This year's music program was held in the intimate space of the Exhibition Courtyard, and welcomed the addition of dandia ras for the crowd.  And of course, the grand finale was our jam session sanedo, pulling together artisans, graduates and the public to celebrate the flourishing culture of Kutch, and the welcome of our newest Artisan Designers. 

As we look to building a true institution, we think of sustainability, expansion, and the ethical fiber that will be essential for this growth.  The message, again, is not to compete with machines, to do what the human artist can do.  And not to compete with each other.  When each artisan can follow his or her individual identity, the diversity will insure success --for everyone. Self reliance and genuine self respect are essential to sustainability, and will contribute toward a world without unhealthy politics and competition. Together Artisan Designers will create a sustainable future for craft traditions.


Director Judy Frater was a keynote speaker at Tinkuy, an international gathering of weavers in Cusco Peru.  Permanent Faculty member Dayalalbhai Kudecha also represented KRV and India, with demonstrations and a presentation.   


Kala Raksha Vidhyalaya focuses on building links through which KRV graduates can develop their capacity as designers and find new and better markets.  The second project with a team of students from Swinburne University of Technology, Melbourne has progressed to the prototyping stage. Project Leader Nilanjan Mondal met with Swinburne Project Director Katherine Bissett- Johnson at the final Sangam Conference in Bangalore, and KRV graduates will implement the products. The exchange has enabled KRV graduates to learn to work from paper concepts, and young Australian designers to appreciate artisan capacity and to work in more collaborative ways.

KRV has engaged students of MS University Baroda for two years in it Collection Development Course.  In December, M.S. University celebrated its 30th Biennial Conference on 100 Years of Home Science, with exhibitions and a fashion show of textiles of Kutch.  Four KRV graduates participated, and represented KRV.

KRV WORKSHOPS TO THE WORLD                                                                            

By now, KRV has conducted 23 workshops taught by KRV graduates, and we have 5 more in planning.  We hope to expand this opportunity for artisans to serve as visiting faculty in the coming year. 

Most recently, a group of fourteen graduate students and faculty from Kansas State University participated in a two and a half day workshop to learn "standard operating procedures" for textile arts.  For information on offerings, please download our workshop proposal or contact judyf@kala-raksha.org.

KRV in print and online

Visit KRV on our Facebook page!

Director Judy Frater and Dr. Mary Littrell co-published a chapter on KRV, "Artisan Enterprise, Cultural Property, and the Global Market," in The Handbook of Fashion Studies, Edited by Black, de la Haye, Entwistle, Rocamora, Root and Thomas.  London: Bloomsbury Publishing, 2013.

In September 2012, Kala Raksha Vidhyalaya enjoyed a feature by Jessica Marati "Teaching Design," in Hand/Eye magazine.


The Indian financial year spans between April 2013 and March 2014. Through Global Giving, since 2010 we have had 56 donations, and raised $8,807.  This has amounted to 6 to 10% of our annual budget.  In addition, through Global Giving we have been able to raise our international visibility significantly.


As KRV has focused on becoming more self-sustaining, opportunities as well as challenges are coming our way. In the coming year we envision change in the Vidhyalaya's programming, and significant and positive growth for KRV.

Financial sustainability is always a huge challenge for an educational institution.  We welcome from our supporters entrepreneurial ideas –and ideas for increasing visibility.

Again we thank you, our supporters.  With your support, KRV will realize its mission of relevant, genuine education for traditional artisans, and its dream of growing from a program to an institution!















The class of 2013
The class of 2013
KRV Graduates present their collections
KRV Graduates present their collections
Jivaben with her playful children
Jivaben with her playful children's collection
KRV Graduate Sangita makes a speech
KRV Graduate Sangita makes a speech
Zakiyaben receives the Best Collection award
Zakiyaben receives the Best Collection award


Sep 6, 2013


Monghiben walks the Mumbai fashion show ramp
Monghiben walks the Mumbai fashion show ramp



"There was excitement!  We had visibility and came closer to our goal of being own designers.  We should have a fashion show every year!"

-Ramjibhai, KRV graduate 2008

 "You need enthusiasm to make something new. The workshops helped people learn the value of hand work."  Monghiben, KRV graduate 2010


In 2010, Kala Raksha Vidhyalaya launched the concept Artisan Design, to raise the value of artisan creativity.  On 17 August 2013, KRV made a dramatic debut in Mumbai.  For the first time, women embroiderers and men weavers, block printers, bandhani and batik artists worked together consciously to co-create contemporary work-- full circle on their ancient collaborative traditions.  And for the first time, KRV took our annual fashion show out of Kutch. Twenty-one KRV graduates presented thirteen new collections at a fashion show held at Good Earth, Lower Parel, followed by an exhibition at Artisans' gallery, Kala Ghoda. Titled Co-Creation Squared, the events fulfilled Kala Raksha Vidhyalaya's desire to re-integrate concept and execution in textile arts, on multiple dimensions.

Many creative, dedicated and generous people contributed to our success in Mumbai.  Anjana Somany, long time supporter of Kala Raksha Vidhyalaya, dreamed of bringing artisan design to the world- and worked tirelessly to produce it.  Designer Anju Modi gave the artisans inspiration with silhouettes and patterns. Anita Lal made it possible when she offered our team the beautiful Good Earth venue.  Utsav Dholakia gave the show its rhythm and form, and Ilesh Shah shot footage for a new film, which was screened. And of course the design graduates of KRV joined minds, hearts and hands to create all new collections.

Artisans' Gallery hosted KRV's first exhibition in Mumbai, and helped organize a selection of KRV workshops with artisan designers.  We thank Radhi Parekh and her team for their dedicated, passionate efforts. Artisans' has succeeded in raising the profile of craft to the level of art, infusing the craft sector with appreciation and economic well being.  Sales were excellent and, significantly, new designs clearly outsold older ones.  The workshops were over booked. Two small but important breakthroughs indicate the success we have enjoyed.  At the end of the show, we realized that very few customers had felt the prices too high; some even commented that prices were reasonable.  On the long continuum of hand craft, KRV artisans' work is now being compared not to production craft but to designer work!  The second triumph came when both Monghiben and Hariyaben shyly said they wanted to make collections for this year's KRV fashion show-- and that they were considering starting their own production!

The highly successful events fittingly launch a plan to concentrate on marketing the work of KRV artisan designers next year.



By now, five of six KRV courses are complete and the artisan students are earnestly working on their final collections.

Course 4- Concept, Communication, Projects was taught by NIFT graduate Anuja Goel and KRV veteran visiting faculty member, LOkesh Ghai.  In the men's class, the artisans learned about fashion trends, chose a theme, and delved into it

Sajanbhai- "I learned you find design in anything if you concentrate on it."

Adilbhai- "I actually dreamed my theme board!"

Then, they experimented in the KRV studios.

Shafikbhai-  "I've worked many years, but I never did so many experiments.

If we do it ourselves, we understand, and can change it as we like."

In the women's class, Lokesh made several important innovations, which enabled the women to bypass the tendency to express theme in a narrative manner. 

This year, the women created new motifs for their themes in a larger, tableau format- more like their traditional way of working.  And they sketched layouts in full scale before beginning studio work.

Lakhuben- "When we try something new, things come from inside to out."

Zakiyaben- "Working in larger scale, we understand how it will work."

Hasuben, this year's Course 4 mentor, summed up the importance of design:

"Before any work we have to think, compose, choose colours.

Next, we do the work, keeping it in reasonable quantity, but insuring that it shows more, and is good quality.

But first is thinking."

Course 5- Finishing, Collection Development was taught by Sanjay Guria, NID Faculty, and veteran KRV visiting faculty member Shweta Dhariwal.  This year, the KRV men students collaborated with graduates and fellows from the Maharaja Sayajirao University of Baroda, Ankita Patadiya, Arpita Desai, and Sneha Limbadiya. The design students from diverse backgrounds quickly came to the common ground of design, and creatively developed collection concepts.  Learning from each other, seeing with fresh perspectives, the teams cam up with some simple twists on traditions.

As they made patterns and prototypes, the excitement built until each KRV student eagerly went home to take craft to new dimensions.  We now anticipate fresh innovations on age-old traditions.

Sajanbhai, KRV -"Planning is necessary.  In this class I understood planning."

Arpita, MSU- "Partnership required understanding. Both partners have to be interested and happy."

Shweta was also joined by students from the Maharaja Sayajirao University of Baroda- Bhargavi Modi, and Mansi Shah.  The team took the women from their homework experiments on apparel and home furnishing to determining and planning a collection.

The women learned machine and hand finishing, and decided the products they wanted to make. The MSU students created patterns and test fits, which were finally edited.  Then, together, the KRV and MSU students worked on colours, fabrics and layouts. We await their final products as well.


KRV welcomes Nilanjan Mondal as the new KRV Project Leader. Nilanjan comes with the experience of the Kaivalya Education Foundation Gandhi Fellowship, hands-on training in development organization and leadership.   He came to KRV in May for an orientation, in which he was introduced to key philosophies, programs, and associated personnel.  In July, he joined the institute and launched straight into coordinating the Mumbai events, proving himself a team player and a valuable addition to the KRV staff. 

2008 Graduate and Permanent Faculty member Dayalalbhai Kudecha has been invited to represent India in Cusco, Peru in November at Tinkuy de Tejedores: an international gathering of weavers. KRV Director Judy Frater will be a keynote speaker at the event.



As the final course of the year began, KRV enjoyed a visit from a group of students of the National Institute of Design.  The teacher, a supporter of our work and sometimes KRV faculty, saw the homework of a current student and commented, "He must have worked with a Fashion Week designer."  In reality, he is a fresh artisan, son of a traditional artisan who chose not to practice the hereditary craft!  This defines our challenge: to change perceptions to the depth that people no long find good artisan design surprising.

Kala Raksha Vidhyalaya continues to focus on building links through which KRV graduates can develop their capacity as designers and find new and better markets.  This year, women graduates worked virtually with a team of students from Swinburne University of Technology, Melbourne to develop products. The exchange was mutually beneficial-- KRV graduates learned to work from paper concepts, and young designers working with KRV them learned to appreciate artisan capacity and to work in more collaborative ways. Building on this experience a second group is set to work with KRV graduates.

Four workshops are planned for Fall 2013-winter 2014, and a range of new programs is under consideration. For information on offerings, please download our workshop proposal or contact judyf@kala-raksha.org.

In July, Anjana Somany of Mangotree, and KRV Director Judy Frater directed Co-Creation Squared: Kala Raksha Vidhyalaya Takes Artisan Design to the World, a ten minute film focusing on developing the concept of Artisan Design. Screened at the fashion show, the film is now available.


Aakib Ibrahim Khatri, graduate of 2011, has been invited to participate in an Artists Residency in Australia, as a follow up to an Australia-India residency held in Delhi last year.

KRV online

KRV has a brand new Facebook page!

In September 2012, Kala Raksha Vidhyalaya enjoyed a feature by Jessica Marati "Teaching Design," in Hand/Eye magazine.


The Indian financial year spans between April 2012 and March 2013. This year, we have the challenge of raising over $62,000 to operate our program.  Last year, nearly 6% of our annual budget was raised through individual donations. As we move into the second half of 2013, with the major expense of our annual Convocation Mela coming in November, we thank Global Giving and hope that our supporters will think about making a tax deductible gift!  


After Kala Raksha's board of Master Artisan advisors met and brainstormed on the future of KRV, the newly constituted KRV Futures Committee held its inaugural meeting to discuss options. As KRV has focused on becoming more self-sustaining, opportunities as well as challenges are coming our way. In the next year we envision significant and positive growth for KRV.

Financial sustainability is always a huge challenge for an educational institution.  We welcome from our supporters entrepreneurial ideas –and ideas for increasing visibility.

Again we thank you, our supporters.  With your support, KRV will realize its mission of relevant, genuine education for traditional artisans, and its dream of growing from a program to an institution!


Ismail Mohammed Khatri - block printer, Ajrakhpur

Shamji Vishramji Vankar- weaver, Bhujodi

Lalji Vankar - weaver, Nirona

Gulam Hussain Umar - tie dye, Bhuj

Ali Mohammed Isha - tie dye, Bhuj                                                                    

Umar Farouk - tie dye, Badli

Qasimbhai - batik, Mundra



Prakash Bhanani, Kala Raksha Co-Founder and Chief Executive

Judy Frater, Kala Raksha Co-Founder & Project Coordinator, KRV Project Director, Ashoka Fellow

Ashoke Chatterjee, Previous Director, Crafts Council of India

Nita Thakore, Textile Artist, Faculty Pearl Academy of Fashion, Jaipur  

K.V. Raju, Faculty, Institute of Rural Management

Rajni  Patwa, Architect  

Mira Poonam, Artisan    

Hariya Uttam, Artisan

Babri Moru, Artisan

Haku Shah, Padmashree, Artist & Historian

Jayanti Nayak, Faculty, National Institute of Design

Daya Dohat, National Awardee, Artisan

Rai Singh Rathod, Tracer, Gujarat Electricity Board, Local Guide

Jivaben and Jayantilal, Artisan Designers
Jivaben and Jayantilal, Artisan Designers
KRV graduates thank the Mumbai audience
KRV graduates thank the Mumbai audience
Namaben presents her concept, Summer Garden
Namaben presents her concept, Summer Garden
Adil and Ankita with a kaftan prototype
Adil and Ankita with a kaftan prototype


Jun 24, 2013


Jivaben and colleagues in the KR Museum
Jivaben and colleagues in the KR Museum






Since its inception, Kala Raksha has dovetailed the collection and preservation of traditional pieces with income generation.  The Trust established an international quality Museum of textiles and related materials in 1997. Two features of this Museum make it unique.  First, the Museum is based in the village itself. Artisans have access to and responsibility for it.  Second, artisans were involved in all phases of the development of the Museum.  They assisted in collection, were engaged in documentation, and consulted in the permanent exhibition.  The Kala Raksha Museum successfully proves the mutual benefits of involving communities in presenting and utilizing their own cultures.

The Museum is intended as a resource base for artisans, designers and researchers. Traditions embody the identity and heritage of a people. Increased appropriation of design intellectual property across cultures has resulted in a generic commercial ethnic look, as well as loss of knowledge of textile traditions.   Kala Raksha's challenge increasingly is to innovate within traditions, and to tell the story that makes cultural integrity more valuable. 

 The strength of the Kala Raksha Museum is its local basis.  Yet, much of its support, use and appreciation lies in the world beyond.  In this period the Kala Raksha Museum reached out from local to world audiences.


In January 2013, the eighth year of Kala Raksha Vidhyalaya began.  Our design education program emphasizes two main sources of inspiration: Nature, and Tradition.  Accordingly, we make sure to include a visit to the Kala Raksha Museum in the first classes of the year.  It is a pleasure to see how artisans quickly learn to see with new eyes.  Just as this year's men students wondered and pondered over examples of the traditions which they had never seen, this year's women studied the colours of embroideries and bandhanis from different regions and eras.  With direction from fiber artist Nita Thakore, they joyfully explored the minds of earlier embroidery artists.  Someone once said that artists work better with artisans than designers do.  In this instance it surely seemed true.  By the end of the colour class enthusiasm for traditions had visibly grown. 

 "We saw all kinds of embroidery in the Museum." Jivaben, Dhebaria Rabari artist.

 "I came to take my tradition forward. I saw all kinds of bandhani in the museum and learned that all communities use bandhani for good and sad occasions." Zakiyaben, bandhani artist.


Enjoying its local location, the KRV students have become the most active and regular users of Kala Raksha's Museum.  Yet the collections and documentation have a much greater potential audience.  During this period, the online presence of the collections provided an opportunity to students of Swinburne University of Technology, Melbourne. The students were part of the program Designers Meet Artisans 2013 Social Responsibility Studio. This project aims to develop an understanding of socially responsible design through a focus on user- centred design and was developed in collaboration with Dr Kevin Murray (Adjunct Professor RMIT University) and the Sangam Australia India Design Platform (www. sangamproject.net/)   The objective of the project was to provide a link between Australian Designers and Indian Artisans, as a way to sustain crafts and to enhance the Artisan’s economic and environmental sustainability.

Socially Responsible Design involves both participatory and human centered design strategies. In this project student designers undertook some of the techniques developed by the Stanford Boot Camp team (dschool.stanford.edu/wp.../03/BootcampBootleg2010v2SLIM.pdf) and the IDEO Human Centered Design Tool kit (http://www.ideo.com/work/human-centered-design-toolkit/)

As a means to building in a participatory aspect to the project’s development students had direct contact with Sangam and Kala Raksha.  Online research in the Kala Raksha Museum was encouraged in order to insure that the Swinburne students would design appropriate to the artisans' traditions.  Serendipitously, Line Jorgensen, a Danish student who had participated in the program last year was doing an internship at Kala Raksha to test out her prototypes in real life.  She provided valuable feedback to the Swinburne students and finally guided the prototyping process.

The products designed ranged from an embroidered kite, embroidered men's tie, baby accessories, and embroidered jewelry travel bag and storage containers.  Most imaginative of all was an embellished dog coat, based on the Rabari camel trappings in the Kala Raksha Museum.  Look for final results in the next report.

In March, KR Museum Curator Judy Frater participated in a UGC Sponsored National Seminar "The Cultural Heritage of Gujarat" organized by the Department of History

Faculty of Arts, The Maharaja Sayajirao University of Baroda.  She presented a lecture, "Embroidery: A Woman's History of Kutch," which was illustrated with objects from the Kala Raksha Museum. 

As the final step in renovation of the Museum, Kala Raksha is upgrading and reproducing its permanent exhibition catalogue.  The catalogue will include the exhibition text and selected illustrations of the objects on display.  Since visitors often do not have the time to study the exhibition content, the catalogue will insure that the exhibition text is read at leisure.  In this way, both awareness of the museum and the information it holds will be more widely disseminated. 


Documentation and collections care are less glamorous than building the collections.  But it is the documentation that completes each object housed by the Museum and gives it value.  An object is only part of the artifact.  Documentation adds context and meaning. During this period, photographs of early accessions were upgraded from negatives to digital format.  This will make better quality images available for the online museum, and for eventual publication.  Beginning with objects slated for publication in our book on Kutch embroidery, seventy objects were digitally photographed, including multiple details.  Good imagery will increase access to museum materials while minimizing the need for handling objects.  The photo shoot also provided an opportunity for inventory and improvement of housing of objects.  At the same time, a list of forty additional objects to be digitally photographed for inclusion in the museum catalogue was compiled.


Research for Kala Raksha's book on Kutch embroideries, which will highlight the Kala Raksha Museum collections, continued.  During this period, we enjoyed the sabbatical of Dr. Michele Hardy, Curator of the The Nickle Arts Museum, The University of Calgary, Calgary, AB, Canada.  Michele did her PhD on Mutava embroidery and will be writing the chapter on Mutava work.  She utilized the Kala Raksha museum during her sabbatical and we hope to have her upgrade documentation as well as contribute to the publication.


During this period, we enjoyed a variety of visitors to the Kala Raksha Center and Museum.  We were honoured to have Dr. Rosemary Crill, Senior Curator, South Asia, at the Victoria and Albert Museum, London, visit the Kala Raksha Museum for the first time.  Representatives of the Powerhouse Museum, Sydney also visited.  NGOs URMUL of Phalodi and Harappani Gorbanjara Mahila Kala Vikas Mandal of Ambajogai, Maharashtra brought artisans for field trips, Dr. Gabriele Tautscher, Professor at Kultur- und Sozialanthropologin Institut für SA- , Tibet- u. Buddhismuskunde der Univesität Wien brought a study group.  Jeni Allison returned on the second visit of the Creative Scotland ReSide program to spend sixteen days of intensive work learning Rabari traditions.  And many tourists visited Kala Raksha Center and Museum.


This year's Nanda design interns began their internship with guidance from several international interns.  Lucy Darling and Cadi Mathews, UK exchange students at Pearl Academy, conducted a two-week museum inspiration product development workshop with our artisan interns, sponsored by the Development Commissioner Handicrafts. 

Line Jorgensen, a student from the University of Southern Denmark, worked for four months developing a "Technology Collection of laptop, tablet and e-reader covers.  She utilized the museum to understand the traditions with which she worked.


 GlobalGiving has been a steady and significant source of support for the Kala Raksha Museum.  Your contributions insure that our collections continue to grow and support our sustainable, authentic work and we can host projects that utilize our resource. Kala Raksha Trust is self sustaining in its income generation work- a feat not even attempted by many non-profits.  However, the earnings from our income generation cannot cover the costs of expansion of the Museum.

GlobalGiving has enabled us to reactivate our museum work. We thank GlobalGiving donors for your support, and welcome financial contributions as well as ideas for ways to reach out and share our holdings with interested people.


Kala Raksha has its sights on new collections and also hopes to be able to expand the museum facilities to accommodate them this year.  As research progresses, we will be able to make the best selection of new accessions, and we will strive to balance upgrading the documentation and housing of collections with acquisition.

Camel cover that inspired Art Pet dog coat
Camel cover that inspired Art Pet dog coat
upgraded image of SR-86 Kanjaro from SIndh
upgraded image of SR-86 Kanjaro from SIndh
R-256 Toran that inspired a bag and a bunting
R-256 Toran that inspired a bag and a bunting
Museum inspired new tech collection
Museum inspired new tech collection


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