A mural made from clay bas-reliefs by women artisans and young environmentalists under the guidance of ArtCorps Artist Isabel Carrió now decorates the exterior walls of the historic public baths in Totonicapán’s 48 Cantons.
Courtesy of Reyes Josue Morales
Don Juan, the community potter, lets me know the clay is ready to be molded. And so we carry the clay lumps to the library. Women artisans, high school students and children from Xolsacmalja library will work on this clay.
Stepping into the thermal baths takes you hundreds of years into the past. We picked this iconic spot because we’re studying ancestral practices, and these baths dating back to 1855 represent a source of strength for the community. Our mural is the result of investigating the natural elements at work in the baths as our subject matter, and learning traditional pottery techniques.
Families come here to bathe together, babies have their first bath, and the elderly soothe their pain with the sulfur- and blackberry-infused medicinal waters. The common expression by bathers is “I’m warming my bones,” and the atmosphere in this steamy place is healthy and relaxed. There are three spa sections: Tortuga (Turtle), a maternity area, Barco (Boat), which is for women to use, and Ballena (Whale), for men.
Families arrive on foot or in small buses from several communities, carrying their hampers and natural sponges, starting as early as 4 o’clock in the morning. You can see their glowing, tight-skinned faces as they leave, showing the effect of the sulfury waters.
The most common artisanal clay sculpture process involves forming clay shapes, waiting for them to dry for about three weeks, heating them and then applying lead. We are currently in the waiting period–sun-drying the sculptures and taking them outdoors as the rainy weather allows. The exterior wall of the baths awaits our work, and we are excited and eager to finally see how the pieces come out from Don Juan’s oven.
See more images of this project.This project is being carried out in collaboration with EcoLogic Development Fund.
Maria discovered her voice and purpose in ArtCorps’ workshops. She now serves on a national committee for community development, applying her leadership and creativity to improve living conditions in rural El Salvador.
In 2013, Maria del Carmen attended the leadership school for rural women leaders (“Escuela Rural”) with 19 other microcredit organizers. The facilitator, ArtCorps Artist Miguel Zepeda Santos, recalls that she was embarrassed to speak in front of the group and only responded to a question when asked directly during the first few months. However, despite her obvious discomfort, she never refused to participate in the creative expression exercises, and her participation gradually improved as she engaged in conversation more often and interacted more with the other women leaders.
One day, she shared that her town planned to form a volunteer committee and that she was thinking about participating. The group encouraged her to be part of this effort, as an opportunity both for personal growth and to serve her community. And she joined.
In our workshops, we continued to work on self-esteem, communication and conflict transformation, using role play and other creative methods. A noticeable shift had taken place in Maria—her shyness was a thing of the past and her ambition to keep learning took the forefront.
The next month, Maria told us that she had been selected as a departmental (state) representative for the rural progress committee she served on. She was chosen based on her communication skills, ability to express herself and strong interest in improving the living conditions of her people. Maria credited the creative leadership workshops with helping her become a better leader for her community, and we congratulated her on the significant progress she had shown.
In our last meeting of the year, as we celebrated the group’s progress, Maria surprised us yet again with remarkable news. This time she had been appointed to the national committee for rural progress.
As part of a collective assessment of our work, Maria gave the following testimonial: “If I had never participated in ArtCorps’ workshops, I would never have discovered my abilities…. Now my public service is recognized by many people. Not only am I a part of the town committee for progress, but I was also elected to represent my district at the state level and, most recently, I have also become our national representative. I meet with public figures and government officials, with the President’s staff, and we come up with projects to benefit [rural communities].”
This project was carried out in collaboration with Servicio Jesuita para el Desarrollo and Oxfam America.
Leaders of women's savings and microcredit groups receive diplomas and promote community service at the Festival for Leaders of Women’s Savings Groups organized by ArtCorps Artist Miguel Zepeda Santos.
Nervous energy reigned at the time of the final preparations. “Miguel, check out how the mural turned out.” “Miguel, we put up these pictures, what do you think?”
The first truck arrived, carrying about 50 participants. They began organizing the chairs and setting up the sound system, while others helped with the welcome banner. In less than 20 minutes, about 300 people arrived, counting girls, boys, women and men.
The program began with the introduction of the participants and a reflection on the work done by the different groups, while dances from young people entertained the audience. During the presentation of diplomas, the women shared their accomplishments, along with the difficulties they encountered and how they have overcome them and the road that lies ahead to achieve even more. One participant stated: “The group and training have helped us in solving group conflicts. We used to wait for someone from Servicio Jesuita para el Desarrollo to come and fix it, but now we can do this for ourselves thanks to the group activities and reflections, which have helped us become more independent and address difficult issues in an atmosphere of dialogue and tolerance.” The ceremony was very emotional, and some participants could not hold back their tears when they received their diplomas.
The representatives from ArtCorps partners Servicio Jesuita para el Desarrollo and Oxfam America noted the pride and active engagement of the leaders and have many questions for them. Some female entrepreneurs made the most of the gathering by selling their products.
The participation of staff from Servicio Jesuita para el Desarrollo and Oxfam America was fundamental to the success of this event. A colleague from another district traveled a day early to the village to help out with anything we needed, and the entire office staff lent a hand from transporting equipment to cleaning up.
A month has passed since the activity took place, and our shared experience is already showing results. It has served as a model for other groups. The festival will be replicated in a nearby village where Servicio Jesuita also works, and other groups of women and youth are planning service projects like the ones that were presented and recognized.
In the words of Rigoberto Bonilla, Program Manager for Servicio Jesuita para el Desarrollo, "I congratulate [all female leaders]; this is a sign of how hard they are working."
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